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About the Filmmakers |
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Louis Pepe,
Terry Gilliam and Keith Fulton during |
Keith Fulton: Co-Director
Keith Fulton is a producer, director, and editor of documentary films. He holds
a Bachelor of Arts in Art History from Haverford College and an MFA from Temple
University's film program. While in graduate school, Fulton dedicated much of
his filmmaking efforts to the pursuit of eccentrics, producing two documentaries
along the way -- John the Barber (25 minutes, 1993), a portrait of a prophetic
neighbourhood legend, and Ben Franklin(s): A Historical Fiction (58 minutes,
1995), an omnibus of bizarre Franklin imagery and Philadelphia's rival Franklin
impersonators. In addition to his projects with Low Key Pictures, Fulton has
directed and produced segments for the CBS documentary series A Day in the
Life.
He has also worked as an editor and director of educational documentaries and as
a project facilitator for The Scribe Video Center, an outreach facility which
trains community groups in media production.
Louis Pepe : Co-Director
Louis Pepe is an independent filmmaker who divides his time between documentary
and fiction projects. In addition to his work with Low Key Pictures, his
documentary credits include the short film Roadside Eulogy (1991), a study of
people's encounters with road kill. His fiction film Moments of Doubt, a trilogy
about women struggling to forge identities within narrowly-defined careers, won
the Best Short Film award at the 1999 Hamptons International Film Festival. Pepe
has also served as director of photography on several award-winning short films
and was one of four recipients of the 1995 Eastman Kodak Scholarship for
excellence in cinematography. He holds two Bachelor of Science degrees from
M.I.T. -- one in Computer Science and one in Film Studies -- and a Master of
Fine Arts in Film from Temple University. He is currently a member of a Los
Angeles-based film collective in which he writes and directs one short film per
month.
Lucy Darwin: Producer
Lucy Darwin has worked in the film industry in exhibition and distribution since
1986. In a freelance production capacity, she has worked on the feature films
First Knight and Twelve Monkeys and served as a producer of its companion
feature documentary The Hamster Factor and Other Tales of Twelve Monkeys.
Representing the films financiers, she was Associate Producer on Women Talking
Dirty, the first film from Elton John's Rocket Pictures, distributed by U.I.P.
Darwin is currently developing Leonardo Secret Agent, a feature film with
co-producers Duncan Kenworthy and Andrew Macdonald (DNA) from an original script
by Jonny Kurzman. Darwin retains Woody Allen, with whom she has worked for the
past ten years, as her sole international pr client. Lost in La Mancha is her
first film as producer.
Jacob Bricca: Editor
Jacob Bricca is a documentary film editor, director, and teacher. He is
the editor of Jimmy Scott: If You Only Knew, a feature documentary about the
famed jazz singer that recently played the IFP Film Market and AFI Fest and has
won rave reviews in Variety and the Los Angeles Times. Other recent editing
credits include Beyond The Border, a PBS documentary about a community of Mexican
immigrants in Lexington, Kentucky, and What A Girl Wants, a short about
the media's impact on girls' self-image (which he also co-directed) that is currently used in media education programs throughout the country.
As director, he has meditated on the power of the moving image in All Of It,
documented angst-filled teens in Nothing, and lost himself in abstract imagery in a
variety of experimental shorts. He has an MFA in Film Editing from the American
Film Institute, and a BA in Film Studies and Sociology from Wesleyan
University. He currently divides his time between filmmaking and teaching, holding a post
as Visiting Assistant Professor of Film Studies at Wesleyan University.
Miriam Cutler: Composer
Miriam Cutler, composer and producer, began her musical career as a performer in
bands, including Mystic Knights of the Oingo Boingo and Swingstreet. With the
development of her recording studio, she moved into composing full time,
contributing music to films including Bachelor Party, Grandview USA,
Arlington Road, Slaves to the Underground (Sundance Film Festival), as well as songs for
children's series, Square One (PBS) and CTW's Different & The Same (Cindy
Award). She has scored numerous features, including two recently released
independent films: Amy's Orgasm (Santa Barbara Film Festival) and God's
Army.
Numerous documentaries include Lost in La Mancha (Berlin Film Festival),
Scout's
Honor (POV/Sundance Film Festival), Death -A Love Story (Sundance Film Festival),
Double Life of Ernesto Gomez (POV/Berlin Film Festival), Licensed to Kill (POV/2
Sundance and Berlin Film Festivals), and The Castro (Peabody, CineEagle, 2
Emmys). She wrote the theme music for PBS-affiliate daily news show Life &
Times on the air for over 10 years, and the new Book Show. Her other scores
include the documentary Shattered Lullabies hosted by Steven Spielberg, Disney
Channel's series Movie Surfers, PBS National series Searching for God in
America, Showtime's Jonathan Winters special, E's Howard Stern Interview series,
Discovery's series Things That Go Bump, and June Foray's Grammy-nominated
Small
& Tall Tales. Since 1988, Cutler has been resident composer for St.
Louis-based Circus Flora, featured at the Kennedy Center and Charleston's
Spoleto Festival since 1999, and The Fern St. Circus. She has also co-produced
live jazz albums on Polygram/Verve for Joe Williams, Anita O'day, Nina Simone,
Shirley Horn, and Marlena Shaw.
Stefan Avalos: Animator
Stefan Avalos trained as a classical violinist and was a soloist with, among
others, the Philadelphia orchestra. As a film student, he won numerous awards
with his short films before moving into a professional film career. He has
worked in many areas of the film business, producing and directing commercials
for foreign television as well as working for numerous clients as varied as
Rescue 911, Frontline, and MTV. In 1993, he wrote, produced and directed his
first feature film, The Game. It premiered in 1994, and is currently distributed
domestically by Panorama Entertainment, Inc. and internationally by Curb
Entertainment, Inc. In 1997, Stefan partnered with Lance Weiler to write,
direct, produce and co-star in The Last Broadcast. The Last Broadcast received
international acclaim as the first desktop-based feature film and then went on
to many festivals, winning Best Feature Film Silver Prize at The Chicago
Underground Film Festival. With Esther Robinson and David Beard, he created
Wavelength Releasing and, in October 1998, made cinematic history with the first
fully digital national theatrical release of a feature film via satellite, The
Last Broadcast. Through theatrical, cable, video, and foreign sales, The Last
Broadcast has gone on to become, based on budget to profit ratio, one of the
most profitable movies in history. He has lectured in Europe, The United States,
South America, Japan and Canada about digital filmmaking as well as written for
numerous publications about the experience. Other full-length work includes the
concert films Cut It Up (1996), and Vine in Concert (1992). Currently, he is in
production on a new feature, Ghosts of Edendale. Stefan designed and produced
the story of Don Quixote in Lost in La Mancha from the original etchings by
Gustave Doré.
Chaim Bianco: Animator
Chaim Bianco is a filmmaker and animator whose directing credits include Into
Your Guts (Sundance 1992) and the feature film The Pope of Utah. He is currently
working on a future-noir film called Split (www.splitbrain.com). Bianco's
animation clients include AT&T, Lucent and the NFL. He is a frequent
collaborator with Low Key Pictures, having designed and produced animations for
their previous documentary, The Hamster Factor and Other Tales of Twelve
Monkeys, and their HBO First Look special on Three Kings. Bianco has been a
fan of Monty Python since the age of 7 and finds it an eerie honour to riff on
Gilliam's famous animated style for Lost In La Mancha. "Animation",
he says, "is the highest
form of flattery".